- Dołączono
- 18 Paź 2022
Give him a gun and 1 bullet and after you turn back to leave, say "ask yourself if you find a second bullet before they find you".I still say that if I wanted revenge I would have left Homelander alive and without powers.
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Give him a gun and 1 bullet and after you turn back to leave, say "ask yourself if you find a second bullet before they find you".I still say that if I wanted revenge I would have left Homelander alive and without powers.
Give him a gun and 1 bullet and after you turn back to leave, say "ask yourself if you find a second bullet before they find you".
Bonus points: give him a blank if you're sure he'll try to shoot you in the back.Now that is a great idea.
Sounds like something a Clint Eastwood charater would say.
I'm not sure what's more pathetic, the fact that Kripke tanked a show or the fact that he didn't even win the argument he tanked the show for in the first place.Kripke, a grown-ass man in his mid 50s, drove a 5 season show into the ground so he could win a twitter argument against Elon Musk.
My mistake, then. Maybe it’s propaganda the writers have put out to make it seem they didn’t have enough room to work with. I don’t think the season felt crammed at all, there was plenty of stuff they could have edited out without impacting the story at all.That's not true. They only had eight episodes. Most shows are that length now. The last HBO show to have a 13 episode season was The Wire season four which was 2006. Most networks are slashing their budgets to ribbons.
Absolutely, I noticed that too. In the earlier seasons there were scenes on so many different locations, set builds, and a ton of extras used on set. It made the world feel more alive. I guess there’s no use in investing in a TV-show that’s ending so they slashed the budget and probably put it towards Vought Rising.You can tell that the last season of The Boys was made on the cheap.
I seriously doubt they cut the budget, more likely they hit the obstacle all ensemble-cast shows do eventually, where all of the cast have escalator clauses in their deals and their salaries are 4x as much by the end, leaving less and less of anything else every season.My mistake, then. Maybe it’s propaganda the writers have put out to make it seem they didn’t have enough room to work with. I don’t think the season felt crammed at all, there was plenty of stuff they could have edited out without impacting the story at all.
Like what was the point of Annie’s gooner half brother? And the whole dad story line? It felt so out of place.
Absolutely, I noticed that too. In the earlier seasons there were scenes on so many different locations, set builds, and a ton of extras used on set. It made the world feel more alive. I guess there’s no use in investing in a TV-show that’s ending so they slashed the budget and probably put it towards Vought Rising.
Oh for sure. Anthony Starr isn’t cosplaying as evil Super Trump for a season 1 salary. Less money still ended up going towards production, set design, fight choreography, etc., which definitely shows. The Deep was able to take Noir out with an HDMI cable? Really?I seriously doubt they cut the budget, more likely they hit the obstacle all ensemble-cast shows do eventually, where all of the cast have escalator clauses in their deals and their salaries are 4x as much by the end, leaving less and less of anything else every season.
I am sure the shitty, unimaginative writing is as much to blame for the lack of interesting places and setpieces as any financial considerations are.Oh for sure. Anthony Starr isn’t cosplaying as evil Super Trump for a season 1 salary. Less money still ended up going towards production, set design, fight choreography, etc., which definitely shows. The Deep was able to take Noir out with an HDMI cable? Really?
I am curious if anyone did that "superheroes but trained" part in extreme detail well.I was skimming the comic.
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They actually foreshadow/allude to the Black Noir twist in issue #21.
Yeah, the comic is better than the show, even if it's only marginal.
I think someone could probably do something interesting by having supercops and supervillains as a stand in for the North Hollywood shootout and how police departments had to rapidly improve their armories in response to it.I am curious if anyone did that "superheroes but trained" part in extreme detail well.
I realize it'd be a tall order to have someone not only be proficient at law enforcement, warfare or disaster relief and then try and think of interesting ways to tie superpowers into that.
This is the plot of Marvel Civil War. Some superheroes are making a "Super Cops" reality show. One of the villains named Nitro blows up 600 people including an elementary school to avoid being captured again. This results in the government finally going after both superheroes and villains. As well as vigilante groups leaking the secret identities of many heroes online out of hatred for these human weapons flying around without any oversight.I think someone could probably do something interesting by having supercops and supervillains as a stand in for the North Hollywood shootout and how police departments had to rapidly improve their armories in response to it.
They've taken stabs at it, some better than others. One of the more successful examples is Moonstone in the early Thunderbolts run, where they really leaned into the fact that she's a psychologist as well as a supervillain. Meaning that she's always trying to get her hooks into people and especially adept at manipulating Jolt, a young, idealistic teenager who doesn't realize she's joined the Masters of Evil in disguiseI am curious if anyone did that "superheroes but trained" part in extreme detail well.
I realize it'd be a tall order to have someone not only be proficient at law enforcement, warfare or disaster relief and then try and think of interesting ways to tie superpowers into that.
That's not really the same thing at all? Civil War is kicked off because dumb teens/young adults go after supervillains that weren't actually doing anything in the middle of a neighborhood and one villain juiced up on super roids kills a bunch of people and this leads to superheroes having to register or get branded as criminals.This is the plot of Marvel Civil War. Some superheroes are making a "Super Cops" reality show. One of the villains named Nitro blows up 600 people including an elementary school to avoid being captured again. This results in the government finally going after both superheroes and villains. As well as vigilante groups leaking the secret identities of many heroes online out of hatred for these human weapons flying around without any oversight.
Uber tried that, by turning superhumans into essentially 'tanks', by needing them to have scouts and forward elements calling shots for them...but that was retarded and didn't make any sense.I realize it'd be a tall order to have someone not only be proficient at law enforcement, warfare or disaster relief and then try and think of interesting ways to tie superpowers into that.
MHA sorta goes into that, Super Hero's in that universe are not lone entities, they are civil servants given a specific position, job, and license to do specific tasks, based off of years of training apprentice work, in that world, using your powers without a hero license or a job license is literally a crime.I am curious if anyone did that "superheroes but trained" part in extreme detail well.
I realize it'd be a tall order to have someone not only be proficient at law enforcement, warfare or disaster relief and then try and think of interesting ways to tie superpowers into that.
That was the premise of Marshal Law, super-soldiers were created to fight a war in Central America, and once they came home the police had to deal with super-powered criminals, and started recruiting their own supers, nicknamed the Cape Killers for their sanction to kill any super who is a threat to inccocent lives.I think someone could probably do something interesting by having supercops and supervillains as a stand in for the North Hollywood shootout and how police departments had to rapidly improve their armories in response to it.
They either need him alive for the Mexico spin-off or there's some horseshit excuse that he's a "victim" of capitalism because he's not white..Stan Edgar is arguably the most evil person in the show but is he ever given his just desserts? Nope. He's a huge reason why that world sucks as much as it does and the dude walks away from the whole matter fresh as a daisy.