What the fuck is The Matrix about anyway?

dick brain

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Full disclosure: I have not watched The Matrix in twenty years but it keeps popping up on youtube because fearmongering about AI is en vogue. But it occurred to me that in those twenty years I've heard like ten different interpretations of what the film is even about, none of them particularly compelling. I'm planning on revisiting it this weekend with some friends but I want to get my thoughts together and hear what other people have to say when they're not being thought policed by globohomo and also I've got an hour to kill. The interpretations I've heard, in no particular order:

"It's a trans allegory." Let's get this out of the way first: I don't buy this. No, it doesn't matter that the tranny filmmakers said it themselves, trannies lie all the time about all kinds of shit, not the least of which being how they always knew they were trannies and it's totally not just late-stage porn addiction, and filmmakers lie all the time about all kinds of shit, not the least of which being PC/DEI/progressive revisionism of their own projects for asspats and publicity. I think it goes without saying that they were freaks back then considering 1) they're anime fans and 2) the whole series is as much an excuse to put a supposedly attractive woman in bondage wear and have her beat up men as it is anything else, and I've heard that they both frequented a dominatrix which almost certainly would have played a role in their subsequent trooning. But I don't fucking buy that the whole movie is about being a tranny. Although it is ironically prescient that their supposed "trans allegory" glorifies fantasies of dressing up like the Columbine kids and shooting up institutions you don't like. That's probably the biggest piece of evidence in favor of this interpretation to be honest.

"It's about capitalism/corporatism." I think this is probably the most surface-level interpretation and I don't really have an argument against it, it makes sense, it's just boring. Like, yeah, civilization and the systems that comprise it profit off of your manhours and trade you illusions of progress and control in order to incentivize your participation in it, no shit. /r/antiwork shit.

"It's about religion." Another obvious interpretation given all the religious allusions and symbolism, I don't think you can argue it's not about religion in some way, but I mostly see it in the context of religion as a form of control, which seems like it runs counter to or misses the nuance of a lot of the references. Seems hamfisted and incomplete. /r/atheism shit.

"It's about the jews." Sort of the natural convergence of the two obvious interpretations above -- bible + money = jews. I don't know enough to say either way, I remember reading about it in the context of biblical allusions but most of it went over my head at the time.

"It's literally about AI and simulation theory." Smoothest brain take. Not even an interpretation, just a restating of the premise.

"It's about the limitations you impose upon yourself by accepting them as true." Ligma male grindset interpretation. I think this is about as oversimplified as you can make it but it's at least useful I guess.

"It's about whatever you want it to be about maaan." Rorschach inkblot zeitgeist kulturbärare interpretation that it has no fixed meaning and is deliberately open to interpretation. I don't know. Certainly not the dumbest take on this list, but I think it affords the kerchowskis too much credit to say they'd be able to intentionally construct something so simultaneously dense with references yet universally resonant without committing to a single unified throughline. I think what's more likely is...

"It's a Tarantino-esque mishmash of a scattershot of different influences for no other reason than that they think it's cool." Probably the most likely scenario, but the least satisfying. The Evangelion Defense. At this point you pretty much have to evoke the death of the author or there's nothing left to say.

"It's about DMT." This is the most recent one I've heard and thus the most interesting to me at the moment. If you know anything about DMT trips you know there are conspicuous commonalities to them -- the feeling of being propelled at a high speed through a tunnel of light, arriving at a different/higher dimension, meeting higher beings commonly described as some kind of machine/clockwork, receiving some sort of revelation or wisdom and returning to this world with the knowledge that there's a higher one. I don't know, simple and incomplete but the novelty is entertaining me right now. Would be interested to know if the brothers have talked about this before.

Miscellaneous observations:
How come the matrix code moves top-to-bottom when CLIs move bottom-to-top? Is it just so they can make all the visual references to it with water moving downward? No other significance? Seems sloppy given how much effort they spend winking and nodding about computer/internet stuff.
Is there any actual evidence that they had the whole trilogy planned from the beginning (aside from the fact that they cut the Architect reveal from the original) or is that just typical marketing bullshitting to get asses in seats? Matters in how seriously you take the sequels compared to the first film.
Why'd they make the red pill red and the blue pill blue when the real world scenes are all tinted blue? Just to have the Total Recall reference? Seems clumsy.
How come they gave Neo glasses that make him look like a grey alien?

Ok my hour's up thanks. Feel free to hit me with schizo theories and/or call me a retard for even being interested in the first place instead of just reading Neuromancer.
 
i hate trying to force interpretations of higher meaning onto shallow pop culture entertainment media.

what the fuck is the matrix about? it's a dystopian scifi story about a future where humans are overthrown and enslaved by AI, and have their minds tricked into living in a computer simulation. that is all. there is no deeper meaning.
 
It's a Mary Sue fantasy movie for boring white dudes who work in offices.

A boring asshole has a boring life but secretly he's THE CHOSEN ONE and everyone either loves him or fears him and the whole world is actually about him and he is the best at everything and even if he's not right now, he will be in 5 minutes after performing some world defying rule breaking bullshit.
If Neo was played by Daisy Ridley, everyone would hate that fucking movie.
 
Dude, like totally man. We're totally in the Matrix and shit. People living like nigger cattle NPC, consooming their slop and living their basic bitch lives. And like you see, there's this red pill blue pill scenario. Where like actual individuals are able to break out of the simulation and call the admin niggers... and it turns out you can't ban someone IRL...
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It's a Mary Sue fantasy movie for boring white dudes who work in offices.

A boring asshole has a boring life but secretly he's THE CHOSEN ONE and everyone either loves him or fears him and the whole world is actually about him and he is the best at everything and even if he's not right now, he will be in 5 minutes after performing some world defying rule breaking bullshit.
If Neo was played by Daisy Ridley, everyone would hate that fucking movie.

For a non-sci fi version of this story watch He Was A Quiet Man.

But it's definitely not a trans allegory. The troon brothers adding that after they trooned out was ridiculous. Trannies cannot resist adding their transness to everything.
 
You don't have to give the creators credit for making a film which contains lots of valid and compelling thematic interpretations. They can (and probably did) do it by accident.

The biggest influence in terms of its philosophical themes is probably Simulation Simulacra, by Jean Baudrillard. Much like the Matrix that's one of those "babby's first philosophy essay" things and you can occasionally spot zoomers talking about how it's so true because we order McDonalds on a touch screen instead of from a cashier nowadays. But remember, 30 years ago, we didn't live in that reality 24/7, so it was a more compelling observation to make.

It's certainly about transhumanism and ego. The distinction between a person's real life and Matrix representation is something they gloss over in the film, but at the same time a big part of the visual memorability. There's a reason everyone is a trenchcoat goth cool sunglasses badass inside the Matrix. That could, if you want, include the tranny shit; but that's really just a specific modern day neurosis related to the theme.

Overall though, it's basically about the same alienated detachment as a lot of 90s movies. It's been a long time since I've watched it but I think it's a very good movie and worthy of being a classic, even if it is just a kitchen sink of a lot of philosophical/sci fi shit.
 
The interpretations I've heard, in no particular order
all have in common that they latch onto one layer and pretend it explains the entire thing.
The way I see it, an interpretation should explain why the story is built around this specific conflict (people living inside a fabricated reality, some people discovering it and then having to decide whether to remain inside or break out) and why the film keeps using that structure across characters, dialogue, and imagery
With that constraint in place, the simplest throughline is that the film is about the relation between appearance and reality, specifically when the "appearance" is not just mistaken but imposed and maintained externally, and what follows when someone recognizes that.
That interpretation explains things other approaches don't.
  • Why is knowledge treated as dangerous?
    Because knowledge is not just learning facts, but realizing that your entire lived framework is constructed. The character Cypher makes sense in that regard, he knows it's fake and still chooses to go back. That only matters if the conflict is about living inside a known falsehood versus exiting it, not about AI or consumerism in the abstract.
  • Why is everyone obsessed with control?
    Because the Matrix is not merely a setting, but a world model enforced on people who don't know they're inside of it. The agents aren't mere enemies, they are used as a mechanism to preserve that world model against deviation.
  • Why was Neo's arc that way?
    No need for "chosen one" mysticism there. Taking the world at face value -> doubting it -> recognizing it as constructed -> acting within it as something that no longer binds him the way it did. The powers aren't the point of the story, they're just a result of that shift.
  • Why does the movie spend so much time on perception, with things like mirrors, deja vu, visual glitches, code vs appearance?
    They all point at the same issue, namely that what you experience is not necessarily what actually exists.
Things like Plato's cave or gnosticism only explain that partially, and the only reason they do is because they touch on the same underlying problem, which is the question of what happens when the world you act in is not the world that actually exists and your access to that fact is controlled.

Should also explain why most of the other takes feel like garbage. "just AI/simulation" just restates the setting of the movie. "anti-capitalism" just uses one contemporary association and ignores the rest. "Mary Sue fantasy" just describes the genre mechanism and not the rest. "whatever you want" gives up on the idea that some interpretations explain more than others.
 
"It's a Tarantino-esque mishmash of a scattershot of different influences for no other reason than that they think it's cool." Probably the most likely scenario, but the least satisfying.
The best evidence for this is the brothers' own words—not what they've said the movie's about (a random bunch of shit) but that they're not very smart.

The movie's a list of things they wanted to see. That list "resonated" with young men of the time—and its variation of the Alice "drink me" scene got memed into eternity. There's really not much to it. Thinking it's even "about" anything is probably a mistake.

Their first film, Bound, is a much better movie made from a more interesting list. The things they've said it's "about" are also stupid.

They don't know what they're doing.
 
There's a reason everyone is a trenchcoat goth cool sunglasses badass inside the Matrix. That could, if you want, include the tranny shit; but that's really just a specific modern day neurosis related to the theme.
The-Matrix-Switch.jpg
Everyone?

Switch was also supposed to a man or woman depending on whether she was in the Real World or the Matrix, according to rumors that were floating around long before the Wachowski Brothers started wearing wigs and dresses.
 
Surprised at the kiwis dismissing the trans allegory theory. Matrix is absolutely about the trans experience as evidenced by that guy who sold off and tried to kill his friends in a system that promised to further his deranged illusions in exchange for him furthering the system itself. What is more trans than that?
 
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Everyone?

Switch was also supposed to a man or woman depending on whether she was in the Real World or the Matrix, according to rumors that were floating around long before the Wachowski Brothers started wearing wigs and dresses.
Isn't that character the Switch in question? If so, no surprise, they're the one that's a little different. But I don't remember any of their names besides Neo, Trinity, Morbius and Steak Guy.

Guess they just didn't want to open the can of worms that if you are a furry you'd come out as your fursona.
 
Isn't that character the Switch in question?
Yiss, the chick in white is Switch.
I don't remember any of their names besides Neo, Trinity, Morbius and Steak Guy.
Ah, who could ever forget Steak Guy? Or his catch phrase "It's steakin' time!"
Guess they just didn't want to open the can of worms that if you are a furry you'd come out as your fursona.
Seeing how various mental illnesses physically manifest in The Matrix sounds like it could make for a pretty interesting short film.
 
It's not that deep and interesting, but coming from action movies/dudebro spotsball slop, it's brilliant.

Mind you people watching this came from action movies where the story is as deep as "buff man punches mafia and gets the girl" so anything a step above that blows their mind.

These people didn't dare approach SciFi because "that's for nerds and we're men" so they were kinda bited into it and liked it.

It's surface level enough that an 70iqcel can get it.
 
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