Business Black Comics Alliance calls for #DCBlackout boycott - The boycott has led to a lot of discussion online, and also rumors and speculation that DC is planning some titles that would fulfill the demands of the boycott.

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Yesterday the Black Comics Alliance, organizers of the #DCSoWhite campaign launched the second phase of their public protest: #DCBlackout, an organized boycott of DC Comics until they implement “meaningful structural changes are made regarding Black representation in their mainline continuity.”

The Black Comic Alliance is
a collective of content creators, journalists, and comic creators focused on amplifying Black voices, supporting Black creators, and pushing for equitable representation throughout the comic book industry. Through campaigns, journalism, community outreach, and industry accountability efforts, the organization works to ensure Black readers and creators are not treated as temporary initiatives, but as foundational parts of the medium’s future.

[Disclosure, one of the Black Comics Alliance organizers is occasional Beat contributor James Portis III.]

The organizer point out that the boycott is not rooted in hiostility, but rather “frustration over what the organization describes as a repeated pattern of underinvestment in Black characters, inconsistent publishing support, and the marginalization of Black creative voices.”

The boycott has led to a lot of discussion online, and also rumors and speculation that DC is planning some titles that would fulfill the demands of the boycott. But the movement is in its early stages, even if the conditions it is protesting are not.

In the meantime, who would YOU like to see as a Black DC character with their own ongoing? (My pick is Static, always Static.)

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Developing.



The Black Comic Alliance, the collective of content creators behind the viral #DCSoWhite campaign, officially announces Stage 2: DCBlackout, a coordinated protest movement calling on readers, supporters, and content creators to withhold financial support as well as cease content creation for DC Comics publishing initiatives until meaningful structural changes are made regarding Black representation in their mainline continuity.

Launched in response to longstanding concerns surrounding the treatment, investment, visibility, and sustainability of Black characters and creators within DC publishing, #DCSoWhite sparked widespread discussion across the comic industry and fan communities. According to the Black Comic Alliance, DCBlackout represents an escalation of that movement after what organizers describe as “continued inaction and performative responses.”

“In almost 50 years, DC has only had 10 Black ongoing series in its mainline continuity, with only 1 surpassing 50 issues, and not a single [title led by a] Black woman. They constantly blame sales, but they’re playing a game with the deck stacked against us. This needs to stop,” – James Portis III, also known as JPenumbra

“DC Comics chose to give a Confederate officer a series before a Black character. Not a good look. Black people only have value to DC Comics during February.”– Ernie Carothers, also known as Blerd Without Fear

The DCBlackout initiative calls for supporters to:


● Post on social media and call for DC Comics to publish 1-3 brand new ongoings for Black heroes in their mainline continuity with strong Black creative teams

● Cancel their pull list subscriptions for all DC titles, including ongoings, mini series, and collected editions, until a Black-led ongoing in mainline continuity is solicited.

● Raise awareness about the fact that digital sales are not valued the same as preorders of single issues

● Push for transparent, long-term commitment and investment to Black representation

● Support Black creators through independent and creator-owned projects

● Encourage industry-wide conversations surrounding equity, visibility, and sustainability

The Black Comic Alliance states that the protest is not rooted in hostility toward fans, creators, or the DC Universe itself, but rather in frustration over what the organization describes as a repeated pattern of underinvestment in Black characters, inconsistent publishing support, and the marginalization of Black creative voices.

Among the concerns cited by the organization are:

● The lack of sustained, ongoing titles led by Black characters in the mainline continuity

● Short-lived initiatives without long-term commitment

● Limited marketing support for Black-led books

● Underrepresentation of Black editorial and creative talent

● Disparities in publishing opportunities, such as not valuing digital sales and not allowing titles to get to trade before cancellation.

“I want to ensure that the comic book readers of the future can see themselves within the pages of DC now and in the next generation,” – Charlie Wilson, also known as Captain Diesel

“The way DC treats its Black characters, especially Black women characters, is something that needs to be addressed. We all deserve better.”– Dr Kaori Knight

The Black Comic Alliance says DCBlackout will remain active until DC Comics publishes a Black-led ongoing in their mainline continuity and gives it promotion on the levels that would show faith in the title and a desire for it to succeed. The lack of transparency on how sales work, as well as the lack of support on display previously, as seen recently with the lack of promotion for The New History of The DC Universe: The Dakota Incident, cannot continue if they wish to say that “Black books don’t sell”.

Supporters can participate in the movement by using the hashtags #DCSoWhite and #DCBlackout across social media platforms and by engaging in discussions surrounding equity and representation within the comic industry.

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In the meantime, who would YOU like to see as a Black DC character with their own ongoing? (My pick is Static, always Static.)
Congratulations on watching Tubi.
“DC Comics chose to give a Confederate officer a series before a Black character. Not a good look.
You left out the parts where JONAH HEX was a slave (to the Apache) and a Union cavalry soldier before he switched over to the Rebs, then surrendered to the Union after the Emancipation Proclamation.
The Black Comic Alliance states that the protest is not rooted in hostility toward fans, creators, or the DC Universe itself, but rather in frustration over what the organization describes as a repeated pattern of underinvestment in Black characters, inconsistent publishing support, and the marginalization of Black creative voices.
Do it yourselves.
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Ostatnio edytowane:
I'm going to place this video here as IMHO this is THE REASON why suddenly we are having this protest. It's all about the money that they lost when USAID was shut down. The the publishing of written/visual content are under the same umbrella in the creation of content.



The guy, john Del Arroz is a semi grifter as he constantly pushes his stuff in his videos, But in this case I think he's spot on in this As I have seen some of the shit within the entertainment industry.
 
Do these blackouts even do anything? They'll post to not buy anything for ONE day, then go back as if nothing happened.
Sometimes they do increase sales. In comics as well as video games and other hobbies.

1, The people pushing the boycott on social media. These people are not fans and not customers. They would never buy the product anyway since they are not interested in the product. So you can not lose them as customers as they were never a customers.
So, no lost sales there.

2, The fans of the franchise don;t care about what some blue-hair on the internet are saying. They will continue to buy the comics that they like, boycott or no boycott.
So no lost sales there.

3, Potential customers that are fans of comics but not aware of this particular series.
For these there will be some that agree with the activists and then they will continue to not buy the product.
But there will be others that see the boycott, look into what they are boycotting and then decides they probably would like the series so they now become customers.
This is how advertizing works. Make potential customers aware the product exist and some of them will change into becoming a paying customer.
So, additional sales due to making potential customers aware product exists.

4, Anti-woke brigade. These will go out in mass to buy the product, but not consume it.
They just buy it as a protest against the activists in 1, but will never read the comic since they are not really into comics.
So additional sales here. Potentially significant additional sales.


There are by now hundreds of emperical examples in videogames, movies, comics, boardgames, ... any other male hobby ... that show this.

If you get a woke boycott that is the best thing that can happen to your business. Especially if the boycott goes viral.
If additionally you publicly push back and/or mock the boycott, this will not affect 1,2,3 but MIGHT if you are really lucky activate 4 and make them go full hog to counterprotest by buying your product.


If I were DC, I would realize there is only upside to have a viral boycott.
I would pay people to astroturf and make the boycott go viral and just write it off as a marketing expense.
 
Ostatnio edytowane:
And boycott's over. Only lasted 6 days.
 
Ernie Carothers, also known as Blerd Without Fear

I watched MikeyNohMore's stream about this whole fiasco and it really made me hope that this Blerd Without Fear nigger gets a bit more attention on here.


Putting aside his weirdly spherical, Malteser-like head and his highly memeable facial expressions, his voice and mannerisms remind me of nothing so much as a black Linkara. 'Nigkara', if you will.
 
The Golden Age of Comics was the 1960s.
I recall seeing 2 comic collection books at the same time. One was from 1961 (?), and that other from some year in the 2010s. The one from the 2010s had vulgar drawings with crudely-drawn nudity and genitalia, and I think there was bullshit about "gender" in there as well. The 1960s volume had comics about cowboys, Aquaman (?), Millie the Model, and I think something about some outer space adventure. Drawing looked good. And of course there was no "identity politics" bullshit. The difference there was night and day.
 
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