- Dołączono
- 19 Kwi 2022
He should commit and try it. I'm sure he'd feel unparalleled erotic pleasure. Make sure you go really deep too, champ!
🎨 Artcow Gooseworx / Cooper Smith Goodwin / ugovaria - The prolific tranny animator behind The Amazing Digital CIrcus, Little Runmo, and many other works; Finally, more women produced animation!; Actually it's all troonslop vore
- Twórca wątku Jotch
- Data rozpoczęcia
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🇵🇦 Nuestro primer dominio localizado está en español en kiwifarms.pa. Our first localized domain is on Spanish on kiwifarms.pa.
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- Dołączono
- 6 Lip 2015
Wowee what a big boy. Creepy.
Anyways I expect the goose work dude to not dfe he seems more level headed than your typical tranner, at least in terms of mental fortitude. Still, that's less mental fortitude than your average person. He's more likely to be sad on bluesky or Twitter for a bit. Too much money coming in to actually spazz out too much, but for the sake of the lulz I hope I'm wrong.
The biggest gripe I have with this guy (besides making a shitty cartoon that birthed and unbelievably annoying fandom) is that he is clearly too autistic to understand that just because he was introduced to oddly fetishistic things in cartoons and art when he was younger doesn't make it ok to continue that cycle. He's able to act like a lot of the things in the show are innocent gags when we've seen that many of those things either turn him on or at least somehow fascinate him sexually. No excuse for this, obviously, as he's a 30 year old man and should know better.
Also c'mon people, actually read the OP. His gay black German boyfriend is the one into head drilling, Cooper probably only likes it via osmosis lmfao
- Dołączono
- 15 Gru 2021
I remember seeing the Runmo thing and thought it was kind of reminiscent of good ol' Newgrounds back when I was a teen, I thought "Wow, this Gooseworx guy could make some shit which I'd enjoy."
Then I get blasted with the flashbang that is TADC, much like Hazbin Hotel and Helluva, it's all an amorphous blob of weird troon/LBGT edgy shit I could care less about, filled with shoe-horned in musical numbers which sound catchy and can stick in your head a bit, but ultimately are a glaring siren that someone is a faggot.
Issue is so many people in 'nerd' spaces which're in the 18-26yo bracket fucking love this shit, so I hear about it endlessly at my LGS, I just feign ignorance when it's brought up or go "Oh it's that internet cartoon you all like" since I've begun learning I might be becoming old now I'm shitting on the media of the "New Generation".
Or the New Generation's media, for once, is actually shittier than the previous generation, either way, easier just to smile and wave.
Then I get blasted with the flashbang that is TADC, much like Hazbin Hotel and Helluva, it's all an amorphous blob of weird troon/LBGT edgy shit I could care less about, filled with shoe-horned in musical numbers which sound catchy and can stick in your head a bit, but ultimately are a glaring siren that someone is a faggot.
Issue is so many people in 'nerd' spaces which're in the 18-26yo bracket fucking love this shit, so I hear about it endlessly at my LGS, I just feign ignorance when it's brought up or go "Oh it's that internet cartoon you all like" since I've begun learning I might be becoming old now I'm shitting on the media of the "New Generation".
Or the New Generation's media, for once, is actually shittier than the previous generation, either way, easier just to smile and wave.
- Dołączono
- 25 Lut 2024
If you look at the full picture, he towers over pretty much everyone else in that stage, like a few inches taller from the next tallest guy, he has to be like 6'2'-6'4
Jax also happens to be tall and lanky.
- Dołączono
- 25 Lip 2022
A poorer AND a feeder?!?!? Oh no!! JEEE-AHSHHHH!!!
- Dołączono
- 30 Sie 2015
Troons hate everyone, especially themselves
- Dołączono
- 7 Cze 2021
How many of those fetishes were meant to be jokes, is what I want to know. There was a point where it was laughable to be a man wearing a dress.
- Dołączono
- 17 Lut 2023
I mean, that's their problem. It still is laughable.
- Dołączono
- 16 Sty 2025
Xe's mad xe didn't get to groom xer fans into pooning/trooning out becasue some other Discord xister did it first.
Ostatnio edytowane:
- Dołączono
- 4 Sie 2013
TADC fans are insufferable. If I made the show, I'd hate my fans too.
man bun rapist
kiwifarms.net
- Dołączono
- 8 Maj 2026
- Dołączono
- 19 Lip 2025
I've been a gooseworx fan since day 1 on Youtube, that is to say I listened to every song and never actually looked at his Tumblr, Twitter, etc etc. Big fan of Spider Polka Pop and the Starlane Stroll music trilogy. Runmo was peak. They could never make me hate you Troonworx, even if you self insert as a faggoty woman beater now. You're always the weirdo making strange ethereal orchestral music in my heart.
Hayduraide
kiwifarms.net
- Dołączono
- 3 Sie 2024
"Wouldn't it be sOoOo FuNnY and like totally wild if I murdered my family?? Teehee I'm just kidding! .... unless...." vibes
He also desperately wants porn of his femalesona. Because of course he does.
- Dołączono
- 23 Wrz 2019
A classic case of the 'this show could've been so good if it was good'. Gooseworx has an established history with surrealist horror, and people were really hoping that would take center stage in the show.
As it became clearer this was essentially just navel-gazing 'happy nihilism' crap, people increasingly disengaged and soured on it.
@Jotch:
I feel like the current OP really underserves the youtube side of his pre-Digital Circus stuff. So allow me to give a general rundown.
- The Gooseworx Youtube Account's first post was released May 30, 2010, with a techno remix of Pineapple Rag. This is followed by a random hodgepodge of banjo and dk64 remixes, original compositions, and what occasionally seems to be indie soundtrack work.
These occasionally do decent numbers, but nothing incredible. However, they are released fairly regularly - at complete eyeball guess, this period is just slightly less than one song a month at it's slowest, decent enough. Up until October 2015, none of these videos manage to go above the numbers for Pineapple Rag.
But see, October 2015 is where things take a turn. Because September 2015 is when Undertale came out, and Goose jumped on it with a remix of Death By Glamour:
Over the next six months, he'd release a total of 5 videos on undertale songs, each getting at least 3 million views as of the time of writing. That's a genuinely impressive success... but he hits the snag of a lot of cover artists: their popularity is directly tied to their source franchise, and and doesn't extend beyond it. For example, in this period he'd release another Donkey Kong remix that... to this day, hasn't broken 100k views.
He keeps releasing videos at a steady enough pace, but until he releases another undertale song in December 2016, he struggles to get to a million views. Eventually, he'd stumble across the classic formula of 'humanoid alien girl + jiggly boobs + original music', and finally get a success to stand alongside his undertale work in Starlane Stroll.
It's a standout success, but the fact it's a standout is as much indictment as it is celebration. This is when you see some of the variety of content change - A theme for a bogleech webcomic called Awful Hospital is the last time Gooseworx releases a commissioned theme for a project he's not running, and the surrealist horror starts to become increasingly prominent. I'd also say this is when it starts to become more obvious that Goose is trend-chasing, as banjo and donkey kong drop out of the running.
An example of this trend-chasing is Blackhole Blitz, a clear successor to starlane stroll that releases to similar numbers. This has the character use the first-ever image of a black hole as inspiration, captured only a month beforehand and a target of a fair few anthropomorphizations. Once again, the formula of 'humanoid alien girl + jiggly boobs + original music' works well. There's other projects too, such as an analog horror video called the Blue Channel.
In the background of these, though, Gooseworx is running on Little Runmo, his most ambitious project yet. When that releases after about two years of development, it manages to get 33 millions views. For comparison, that's a number higher than several GLITCH production's pilots, including Gameoverse.
It notably marks the end of the remix era, and of music videos in general - from now on, everything aside from a few stragglers turns towards supporting bigger projects; longer animated stories with music only released in whole-soundtrack form.
The next few videos are buildups to single releases, which now have a stable audience over 1m. Elain the Bounty hunter is largely forgettable except for perhaps the fact that it's the second instance of the incredibly specific vore-leading-to-game-show fetish, largely being more surrealistic slapstick otherwise. Ghost of the Year leans slightly more surrealist horror, though i'd say it's more noteworthy for the host Hoonis Boogie very clearly being an early iteration of Caine. Just as an example, compare these two gags:
Blue Channel: Thalasin is probably the most famous work from this period, with the increasingly contorted and impossible expressions becoming somewhat memetic. Notable also is Elain gets Adopted, which realeases with a similar amount of effort and length as Little Runmo... but only gets about a fifth of the views. They both do comparable numbers to his undertale work, mind, but no more than that.
This leads to his work starting to wind down. There's only two more projects in the remaining couple of pre-TADC years, including Supernova Shakedown, a third and final attempt at the old three-part formula. However, this time it's actually a decline - only having 2.5 million views compared to the other two's three parts. If I had to guess, it's probably because this one is much more erratic and frantic, rather than the more calming vibes of the first two. THe fact that it was released like three years later probably didn't help either. The Darly Boxman show is the last noteworthy release before TADC takes center stage, containing another clearly proto-caine and a notably lower production value (I'll be generous and say at this point he's likely fully committed to TADC, meaning this gets less recognition as a result.
These occasionally do decent numbers, but nothing incredible. However, they are released fairly regularly - at complete eyeball guess, this period is just slightly less than one song a month at it's slowest, decent enough. Up until October 2015, none of these videos manage to go above the numbers for Pineapple Rag.
But see, October 2015 is where things take a turn. Because September 2015 is when Undertale came out, and Goose jumped on it with a remix of Death By Glamour:
Over the next six months, he'd release a total of 5 videos on undertale songs, each getting at least 3 million views as of the time of writing. That's a genuinely impressive success... but he hits the snag of a lot of cover artists: their popularity is directly tied to their source franchise, and and doesn't extend beyond it. For example, in this period he'd release another Donkey Kong remix that... to this day, hasn't broken 100k views.
He keeps releasing videos at a steady enough pace, but until he releases another undertale song in December 2016, he struggles to get to a million views. Eventually, he'd stumble across the classic formula of 'humanoid alien girl + jiggly boobs + original music', and finally get a success to stand alongside his undertale work in Starlane Stroll.
It's a standout success, but the fact it's a standout is as much indictment as it is celebration. This is when you see some of the variety of content change - A theme for a bogleech webcomic called Awful Hospital is the last time Gooseworx releases a commissioned theme for a project he's not running, and the surrealist horror starts to become increasingly prominent. I'd also say this is when it starts to become more obvious that Goose is trend-chasing, as banjo and donkey kong drop out of the running.
An example of this trend-chasing is Blackhole Blitz, a clear successor to starlane stroll that releases to similar numbers. This has the character use the first-ever image of a black hole as inspiration, captured only a month beforehand and a target of a fair few anthropomorphizations. Once again, the formula of 'humanoid alien girl + jiggly boobs + original music' works well. There's other projects too, such as an analog horror video called the Blue Channel.
In the background of these, though, Gooseworx is running on Little Runmo, his most ambitious project yet. When that releases after about two years of development, it manages to get 33 millions views. For comparison, that's a number higher than several GLITCH production's pilots, including Gameoverse.
It notably marks the end of the remix era, and of music videos in general - from now on, everything aside from a few stragglers turns towards supporting bigger projects; longer animated stories with music only released in whole-soundtrack form.
The next few videos are buildups to single releases, which now have a stable audience over 1m. Elain the Bounty hunter is largely forgettable except for perhaps the fact that it's the second instance of the incredibly specific vore-leading-to-game-show fetish, largely being more surrealistic slapstick otherwise. Ghost of the Year leans slightly more surrealist horror, though i'd say it's more noteworthy for the host Hoonis Boogie very clearly being an early iteration of Caine. Just as an example, compare these two gags:
Blue Channel: Thalasin is probably the most famous work from this period, with the increasingly contorted and impossible expressions becoming somewhat memetic. Notable also is Elain gets Adopted, which realeases with a similar amount of effort and length as Little Runmo... but only gets about a fifth of the views. They both do comparable numbers to his undertale work, mind, but no more than that.
This leads to his work starting to wind down. There's only two more projects in the remaining couple of pre-TADC years, including Supernova Shakedown, a third and final attempt at the old three-part formula. However, this time it's actually a decline - only having 2.5 million views compared to the other two's three parts. If I had to guess, it's probably because this one is much more erratic and frantic, rather than the more calming vibes of the first two. THe fact that it was released like three years later probably didn't help either. The Darly Boxman show is the last noteworthy release before TADC takes center stage, containing another clearly proto-caine and a notably lower production value (I'll be generous and say at this point he's likely fully committed to TADC, meaning this gets less recognition as a result.
- Dołączono
- 25 Sie 2016
Lamictal can make the skin fall off your dick.
- Dołączono
- 4 Sie 2018
It sounds like music from a cringey Five Nights at Freddys fan animation and I wouldn't be caught dead listening to it but you do you my dude.
- Dołączono
- 8 Mar 2025
A few months ago members of the community myself included fell for him framing the criticism he was receiving (namely Ragatha getting no more development) as toxic hate. People fell for it, and it vindicated him to keep deluding himself that everyone who criticises him for being a dogshit writer and an edgelord faggot as merely haters with no point.
businessman12345
kiwifarms.net
- Dołączono
- 21 Maj 2025
There are so many autistics of this kind with the giga jaw and decent height who could have become normal people if they just never found ugly cartoons online, and just happened to go to the gym instead. Even a lot of them with bad childhoods that explain some of the behavior surely are just worse off because they had other deranged people to connect to online. Very sad.
- Dołączono
- 19 Lut 2018
That's quite the manly chin, bud.
Imma have to put you into the "never going to pass" group.
Imma have to put you into the "never going to pass" group.
- Dołączono
- 8 Mar 2025
Drilly O'Goose, Oh Drilly O'Goose...